Description
Nathalie began her career as an assistant to fashion photographer Dominique Issermann and published her first photographs in magazines such as Marie Claire and Cosmopolitan. Dominique introduced him to his sister Aline Issermann who hired him on the set of the film "the Destiny of Juliet" in 1982. Since then Nathalie has been living on film sets. Successively Photographer for Première magazine, Sygma agency, she became still photographer for many directors. In 1998 she joined the H&K agency and continued to publish reports in magazines such as Gala in France, Mr High Fashion and High Fashion in Japan and continued her career working both in the press and on film productions. It is on the set of Agnés Varda The Hundred and One Nights that she meets Michel Piccoli who will choose her to shoot in his first films as an actress. After ten years of studies in a theater company, Nathalie was able to approach the shooting of a film from the inside as an actress. This is how she learned to stage and light up spaces inside and out. Today, she also puts this experience at the service of companies and new communication tools and shares her photographs of cinema and trips to exhibition venues and in art galleries.