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Hinault and LeMond have a falling out

Enjoy our offers on Classic, Medium and Large formats - Until April 21
Hinault and LeMond have a falling out
Hinault and LeMond have a falling out
Hinault and LeMond have a falling out
Hinault and LeMond have a falling out
Hinault and LeMond have a falling out
Hinault and LeMond have a falling out
Hinault and LeMond have a falling out

Hinault and LeMond have a falling out

Enjoy our offers on Classic, Medium and Large formats - Until April 21
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FromAU$149
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N°1 of a limited edition of 500 copies.
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Framed print
Picture printed on premium satin paper and framed with or without a mat in our workshop. Large choice of wood or aluminium frames all custom made. Attachment system on the back included with all our frames. Protective plexiglass of 2mm thickness.
Canvas

Picture printed on a canvas and mounted on a 2,5cm thick wood frame in our workshop. Mirrored edges process: the entire photograph remains visible on the front.

Framed canvas

Picture printed on a canvas and mounted on a 2,5cm thick wood frame in our workshop. Mirrored edges process: the entire photograph remains visible on the front. Float wood frame all around the canvas print, with 1 cm gap on every side between the picture and the print.

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Picture printed on premium satin paper and mounted on a 3 mm thick aluminium Dibond in our workshop. Attachment system on the back.

Framed alu. print

Picture printed on premium satin paper and mounted on a 3 mm thick aluminium Dibond in our workshop. Float wood frame all around the print, with 1 cm gap on every side between the picture and the print.

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Picture printed on premium satin paper. On the front of the print, a 2mm thick back protective plexiglas is added. On the back, a 3mn Alu-Dibond plate provides rigidity. Attachment system on the back.

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Picture printed on premium satin paper. On the front of the print, a 2mn thick back protective plexiglas is added. On the back, a 3mn Alu-Dibond plate provides rigidity. Float wood frame all around the print, with 1 cm gap on every side between the picture and the print.

Poster

Picture printed on premium satin paper sold without any framing or matting. Delivered flat packed for the small dimension and rolled and protected in a tube format box for all other dimensions

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Detail of the stickDetail of the stick
Stick dimensionsStick dimensions
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Detail of the stickDetail of the stick
Stick dimensionsStick dimensions
Back of the frameBack of the frame
Detail of the stickDetail of the stick
Stick dimensionsStick dimensions
Back of the frameBack of the frame
Detail of the stickDetail of the stick
Stick dimensionsStick dimensions
Back of the frameBack of the frame
Detail of the stickDetail of the stick
Stick dimensionsStick dimensions
Back of the frameBack of the frame
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27 Mar 24
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Description of the photograph
The scene is not so insignificant. It is even significant when it is organized by the photographer of L'Équipe Michel Deschamps, who used to take a suitcase of accessories with him on the Tour de France. "I had my mother-in-law knit the first stitches of a yellow jersey...", said our photographer, who died in September 2021. On July 17, 1986, Bernard Hinault, 31 years old, and Greg LeMond, 25 years old, mixed their stitches, one forwards, one backwards, as a metaphor for their relationship in the race... For the second year, the Badger and his younger brother are together under the jersey of the La Vie Claire team, set up in early 1984 by Bernard Tapie. The businessman brought dollars into the cycling ecosystem by recruiting LeMond. The pact: to help the legend Hinault win his fifth Tour in 1985, before reversing the roles the following year. But it is not easy to transform a five-time winner of the Grand Boucle into the servant of an ambitious American... The relationship between the two riders was on the verge of a collision when Hinault took the yellow jersey in the first Pyrenean stage, in Pau. Forty-eight hours later, the hypothesis of premeditated betrayal temporarily ruled out, the atmosphere was light between the two men. "Hinault did not stop acting like a clown," Michel Deschamps said. But the Breton had trouble keeping his promise... He gave LeMond cold sweats three days later in the Alps by attacking alone in the stage between Gap and the Col du Granon despite a pain behind his left knee. The backlash was violent. Hinault was caught, then distanced. The pact was respected. At the top of the Granon, LeMond became the first American to take the yellow jersey. Relegated to third place, Hinault had, willingly or not, accomplished his mission of passing the baton and had just spent the last day in yellow of his career. The next day, in Alpe d'Huez, in a very media-friendly staging orchestrated by Bernard Tapie, the two "enemy brothers" crossed the finish line as winners, hand in hand. Eddy Pizzardini
Copyright
L'Équipe - Michel Deschamps/L'Équipe
Exclusive Collection
Archives L'Équipe
Paris, France
Guaranteed quality
Your photograph is printed on a high quality satin photo paper in 250g thickness. Thanks to our high-performance printing systems and a sharpness of up to 1440 dpi, we guarantee you a product worthy of the greatest art galleries. If, despite our expertise and precautions, you notice something wrong with your product, we will send you a new photograph at our expense.
Keywords used to describe this photograph:
Road Bikes Wall ArtRoad Bikes Posters
Cycling
Unusual
Tour de france
1986
1980s
Yellow jersey
Bernard hinault
Greg lemond